Sebastián de Vivanco • O Rex gloriae

polifonia1aSebastián de Vivanco’s (1551-1622) double-choir motet O Rex gloriae. This work comes from his 1610 book of motets, printed in Salamanca. Here it is performed by Capilla Flamenca, dir. Dirk Snellings, and Oltremontano with their sackbutts and cornetts – a great recording, as is the rest of the CD that features many works from this book.

(mais…)

Josquin/Narváez • Cum Sancto Spiritu

This is the second video (first video here) of the series I prepared on the intabulations for vihuela of sacred an vocal music from the Renaissance.

The composer featured in this video is Josquin des Prez (c.1450-1521), one of the finest and most widespread composers of the Renaissance. His music is particularly important to the Iberian vihuelists, who use Josquin’s music widely. (mais…)

Monteverdi’s “Orfeo” and the “Beginning of Italian Opera”

MonteverdiThis is a part of the first episode, entitled “Beginnings”, of BBC’s three-episode series “Opera Italia”. This series is presented by Antonio Pappano, conductor and music director at the Royal Opera House, Covent Garden. This excerpt refers to Claudio Monteverdi’s favola in musica. (mais…)

Giovanni P. da Palestrina • Missa ” Hodie Christus natus est”

PalestrinaGiovanni Pierluigi da Palestrina’s Missa Hodie Christus natus est is an imitation mass based on the double-choir motet with the same name. Here Palestrina uses almost the same devices he used on the motet (cf. post on Hodie Christus natus est). This mass appears in a book of masses for eight voices printed posthumously in Venice in 1601. (mais…)

New Musicological Project

Following the presentation of the paper “Matins for the Feast of St. Bernard” at the “Residência Cisterciense” (Évora), a new project arose in my head for a new phase of my life that is starting this Winter. It will be a long-term project that envolves working new repertoire. I must confess that I neglected it, which was at the time a big mistake of my part. (mais…)