Sebastián de Vivanco • O Rex gloriae

polifonia1aSebastián de Vivanco’s (1551-1622) double-choir motet O Rex gloriae. This work comes from his 1610 book of motets, printed in Salamanca. Here it is performed by Capilla Flamenca, dir. Dirk Snellings, and Oltremontano with their sackbutts and cornetts – a great recording, as is the rest of the CD that features many works from this book.

(mais…)

Francisco Martins • O vos omnes

Responsory for four voices, by Portuguese composer Francisco Martins (1628-1680). This is the fifth responsory at Matins for Holy Saturday, of the sets composed by Martins for Maundy Thursday, Good Friday and Holy Saturday respectively. Martins studied at Évora Cathedral and was mestre de capela at Elvas Cathedral. This is one of the recordings this group made at Angra Cathedral in early August 2013. (mais…)

Estêvão Lopes Morago • Sepulto Domino

The Motet Sepulto Domino, for four voices, by Estêvão Lopes Morago (c.1575-c.1630) is one of three small works for Holy Week that are present in the P-Va Ms 3. This work uses part of the text of the last responsory at matins for Holy Saturday.

This video was recorded during Ensemble da Sé de Angra‘s concert at the Igreja Matriz de Santa Cruz (city of Praia da Vitória), 3 February 2013. (mais…)

Josquin/Narváez • Cum Sancto Spiritu

This is the second video (first video here) of the series I prepared on the intabulations for vihuela of sacred an vocal music from the Renaissance.

The composer featured in this video is Josquin des Prez (c.1450-1521), one of the finest and most widespread composers of the Renaissance. His music is particularly important to the Iberian vihuelists, who use Josquin’s music widely. (mais…)

Monteverdi’s “Orfeo” and the “Beginning of Italian Opera”

MonteverdiThis is a part of the first episode, entitled “Beginnings”, of BBC’s three-episode series “Opera Italia”. This series is presented by Antonio Pappano, conductor and music director at the Royal Opera House, Covent Garden. This excerpt refers to Claudio Monteverdi’s favola in musica. (mais…)

Giovanni P. da Palestrina • Missa ” Hodie Christus natus est”

PalestrinaGiovanni Pierluigi da Palestrina’s Missa Hodie Christus natus est is an imitation mass based on the double-choir motet with the same name. Here Palestrina uses almost the same devices he used on the motet (cf. post on Hodie Christus natus est). This mass appears in a book of masses for eight voices printed posthumously in Venice in 1601. (mais…)