Mateus d’Aranda was mestre de capela and mestre da claustra at Évora Cathedral from at least 1528 until 1544. During this period at Évora he published two treatises – one on plainchant (1533) and one on mesural chant (1535) – which are thought to be the first music to be printed in Portugal. Although a very important music theoretician, as a composer almost nothing is kwnown of him. The only works that survived are two fragments of a Credo and a motet, which uses the text from the tract for Feria Quarta in Cinerum, for four voices. (mais…)
In this video Hendrik Vanden Abeele talks about folio 24 verso of the 1481 Ghent antiphonary. In this episode one can find the Processional antiphons BMV. These antiphons are also to be used on Marian Vespers, with Magnificat, up until Purification (2 February).
Start of Matins Stephen (the First Martyr, 26 December) with the invitatorium combining Christmas and Stephen theme and six antiphons of first nocturn. (mais…)
Of the three polychoral works by Portuguese composer Estêvão de Brito (c.1575-1641) present in his Motectorum Liber the motet Vidi Dominum, for eight voices (SATB+SATB) was the only one to be recorded in cd until now. The other two works, also for eight voices, are O Rex gloriae, a motet that I have been writing a lot, and Dum complerentur. The motet has the indication In die Trinitatis et Omnium Sanctorum that is, it was destined to the Sunday after Pentecost and the Feast of All Saints. (mais…)
I found these videos on YouTube of Giovanni Pierluigi da Palestrina’s Missa Emendemus in melius, an imitation mass for which the model was not yet been identified, but it looks like it would be a 4-voice motet. The mass was printed in the 7th book of masses, published in 1594. Palestrina exceeds himself in setting the second Agnus Dei. He expands the texture from four to five voices, adding a second tenor with a carefully controlled cannon between this voice and the bassus. (mais…)
This is the first promotional video of Ensemble Eborensis, made in collaboration with Sítio das Artes, that focuses on our first programme “Masters of Évora Cathedral: Sacred vocal polyphony of the 16th & 17th centuries”. This programme features music from composers like Mateus d’Aranda, Manuel Mendes (the musical excerpt you hear on the video is from the opening of the introitus from Mendes’ Missa pro Defunctis a 4).
In this video Hendrik Vanden Abeele talks about folio 24 recto of the 1481 Ghent antiphonary. In this folio, the responsorium Verbum caro factum est (short). The antiphon ad Magnificat Hodie Christus natus est. Commemoratio S. Stephen (26 December). (mais…)
Sebastián de Vivanco’s (1551-1622) double-choir motet O Rex gloriae. This work comes from his 1610 book of motets, printed in Salamanca. Here it is performed by Capilla Flamenca, dir. Dirk Snellings, and Oltremontano with their sackbutts and cornetts – a great recording, as is the rest of the CD that features many works from this book.