Francisco Martins • Vinea mea electa

Iberian PolyphonyVideo of the responsory Vinea mea electa, for four voices, by Portuguese composer Francisco Martins (c.1628-1680). This video was recorded during Ensemble Eborensis‘s concert at Church of S. João Evangelista (also know as Church of Lóios) at Évora, las 28 August. The video was produced in collaboration with associação de ideias. (mais…)

B-Gu Ms 15 #053

chantf. 26r

In this video Hendrik Vanden Abeele talks about folio 26 recto of the 1481 Ghent antiphonary. In this folio are present the fifth and sixth antiphon of second nocturn for the feast of St Stephen. The first antiphon of the page is one of the simplest thinkable. Very fine L capital on Lapidabant of the first responsory in the second nocturn. (mais…)

Aires Fernandes • Jesu Redemptor [I]

Iberian PolyphonyVideo of the first of two settings of Jesu Redemptor, for four voices, by Aires Fernandes (fl. 1550), which served as a refrain for the litany pro Defunctis. The recording was made during Ensemble Eborensis’s last concert 16 July 2014 in Évora, and the video was produced in collaboration with associção de ideias. (mais…)

João Lourenço Rebelo • Panis angelicus

João Lourenço Rebelo’s motet Panis angelicus is, to me,  one of the most interesting mid-seveenthenth-century works of Portuguese polyphony. The motet is written for seven voices a capella contrary to most of Rebelo’s music, which always features a continuo part, and stands out as a fine example of what was achieved in terms of the prossecution of stile antico writing. A fine recording with a nice video by Portuguese group Capella Duriensis, directed by Jonathan Aeyrst.

B-Gu Ms 15 #051

chantf. 25r

In this video Hendrik Vanden Abeele talks about folio 25 recto of the 1481 Ghent antiphonary. We are at the end of the antiphons for the first nocturn of the matins of St Stephen, followed by the first, second and third responsories of (obviously) the same matins. Beautiful S with mysteriously not fully coloured top half. There are several proofs (again) that this capital was made after text and music. (mais…)