This is the edition number 14 of the “Polyphonia” series, featuring Portuguese sacred vocal polyphony from the 16th and 17th centuries, edited by MPMP – Movimento Patrimonial pela Música Portuguesa. This number is the fith number devoted to the music of Estêvão Lopes Morago (c.1575-c.1630), composer of Spanish birth who spent all his life in Portugal, studided at the claustra of Évora Cathedral and was mestre de capela at Viseu Cathedral. (mais…)
Of the three polychoral works by Portuguese composer Estêvão de Brito (c.1575-1641) present in his Motectorum Liber the motet Vidi Dominum, for eight voices (SATB+SATB) was the only one to be recorded in cd until now. The other two works, also for eight voices, are O Rex gloriae, a motet that I have been writing a lot, and Dum complerentur. The motet has the indication In die Trinitatis et Omnium Sanctorum that is, it was destined to the Sunday after Pentecost and the Feast of All Saints. (mais…)
Estudos Musicológicos 31
Cerimonial da Capela Real: Um manual litúrgico de D. Maria de Portugal (1538-1577) Princesa de Parma
Cerca de 450 anos depois da sua escrita, eis o Cerimonial da Capela Real do uso da Infanta D. Maria (1538-1577), filha do Infante D. Duarte e sobrinha de D. João III. Não se trata de uma obra impressa, qual manual oficialmente adoptado pelos patronos reais, nem sequer de um documento sistematicamente organizado. (mais…)
I found these videos on YouTube of Giovanni Pierluigi da Palestrina’s Missa Emendemus in melius, an imitation mass for which the model was not yet been identified, but it looks like it would be a 4-voice motet. The mass was printed in the 7th book of masses, published in 1594. Palestrina exceeds himself in setting the second Agnus Dei. He expands the texture from four to five voices, adding a second tenor with a carefully controlled cannon between this voice and the bassus. (mais…)
Sebastián de Vivanco’s (1551-1622) double-choir motet O Rex gloriae. This work comes from his 1610 book of motets, printed in Salamanca. Here it is performed by Capilla Flamenca, dir. Dirk Snellings, and Oltremontano with their sackbutts and cornetts – a great recording, as is the rest of the CD that features many works from this book.
Responsory for four voices, by Portuguese composer Francisco Martins (1628-1680). This is the fifth responsory at Matins for Holy Saturday, of the sets composed by Martins for Maundy Thursday, Good Friday and Holy Saturday respectively. Martins studied at Évora Cathedral and was mestre de capela at Elvas Cathedral. This is one of the recordings this group made at Angra Cathedral in early August 2013. (mais…)