In this video Hendrik Vanden Abeele talks about folio 26 recto of the 1481 Ghent antiphonary. In this folio are present the fifth and sixth antiphon of second nocturn for the feast of St Stephen. The first antiphon of the page is one of the simplest thinkable. Very fine L capital on Lapidabant of the first responsory in the second nocturn. (mais…)
Tomorrow, (August 28) 19:00, I’ll be singing with my group Ensemble Eborensis at the Church of St John Evangelist, commonly known as Church of the Convent of Lóios, at Évora. This is a concert to help raising funds (food supplies) for an associacion called Pão e Paz (Bread and Peace) that helps less fortunate persons in the city of Évora, cooking about 300 daily meals at the association’s refectory. The cost of entry to the concert will be a good (anything that can be useful for the preparation of the daily meals by this association). (mais…)
Odoriferum lilium is one of the responsories for Matins of the feast of this saint. I really enjoy this one in particular for the beautiful design of the melodic line and the low tessitura. This was one of the examples I used in my talk last year, at the “Residência Cisterciense” in the Monastery of S. Bento de Cástris, Évora, a feminine cistercian house that had quite a lot of music activity during the seveenteenth and eighteenth centuries. (mais…)
In this video Hendrik Vanden Abeele talks about folio 25 verso of the 1481 Ghent antiphonary. In this episode we are still in the Matins for the feast of St Stephen (26 December). (mais…)
Video of the first of two settings of Jesu Redemptor, for four voices, by Aires Fernandes (fl. 1550), which served as a refrain for the litany pro Defunctis. The recording is from Ensemble Eborensis’s last concert 16 July 2014 in Évora, and the video was produced by associção de ideias. (mais…)
João Lourenço Rebelo’s motet Panis angelicus is, to me, one of the most interesting mid-seveenthenth-century works of Portuguese polyphony. The motet is written for seven voices a capella contrary to most of Rebelo’s music, which always features a continuo part, and stands out as a fine example of what was achieved in terms of the prossecution of stile antico writing. A fine recording with a nice video by Portuguese group Capella Duriensis, directed by Jonathan Aeyrst.