Sebastián de Vivanco • O Rex gloriae

polifonia1aSebastián de Vivanco’s (1551-1622) double-choir motet O Rex gloriae. This work comes from his 1610 book of motets, printed in Salamanca. Here it is performed by Capilla Flamenca, dir. Dirk Snellings, and Oltremontano with their sackbutts and cornetts – a great recording, as is the rest of the CD that features many works from this book.

(mais…)

Francisco Martins • O vos omnes

Responsory for four voices, by Portuguese composer Francisco Martins (1628-1680). This is the fifth responsory at Matins for Holy Saturday, of the sets composed by Martins for Maundy Thursday, Good Friday and Holy Saturday respectively. Martins studied at Évora Cathedral and was mestre de capela at Elvas Cathedral. This is one of the recordings this group made at Angra Cathedral in early August 2013. (mais…)

Estêvão Lopes Morago • Sepulto Domino

The Motet Sepulto Domino, for four voices, by Estêvão Lopes Morago (c.1575-c.1630) is one of three small works for Holy Week that are present in the P-Va Ms 3. This work uses part of the text of the last responsory at matins for Holy Saturday.

This video was recorded during Ensemble da Sé de Angra‘s concert at the Igreja Matriz de Santa Cruz (city of Praia da Vitória), 3 February 2013. (mais…)

Diogo Dias Melgaz • Memento homo

Listening2Memento homo is, in my opinion, probably one of Diogo Dias Melgaz’s most impressive works. This “miniature” motet for four voices (SATB) survives in two 18th-century choir books housed at the Patriarchal archives in Lisbon and at Évora Cathedral. It is quite impressive how Melgaz emphasises the text’s message Memento homo, quia pulvis in pulverem reverteris (Remember, man, that dust thou art, and unto dust thou shalt return) using dotted rhythms and short musical figures. (mais…)

Giovanni P. da Palestrina • Missa ” Hodie Christus natus est”

PalestrinaGiovanni Pierluigi da Palestrina’s Missa Hodie Christus natus est is an imitation mass based on the double-choir motet with the same name. Here Palestrina uses almost the same devices he used on the motet (cf. post on Hodie Christus natus est). This mass appears in a book of masses for eight voices printed posthumously in Venice in 1601. (mais…)

Caeli Porta: 17th Century Sacred Music

Caeli Porta“Portuguese music enjoyed its most spectacular flowering in the early seventeenth century. Many of the greatest composers were gathered in the capital Lisbon, and this was a period when many Portuguese musicians also made their careers in Spain, which was then linked to Portugal politically. This recording presents masterpieces of Portuguese polyphony from Lisbon and Granada brought to light by the choir’s director, Owen Rees. (mais…)

XVI Workshop “Évora Cathedral Music School”

Jornadas 20134-6 October 2013 | Convento dos Rémédios (Évora)

XVI International Workshop “Évora Cathedral Music School”

With Owen Rees, Paulo Lourenço, Armando Possante and Pedro Teixeira. Conferences by Owen Rees and Paulo Estudante.

Concerts:

The Tallis Scholars, 4 October, 19h

Choir of participants, 6 October, 17h

More info HERE