Ensemble Eborensis, August 28

2014.08.28 Igreja dos LóiosTomorrow, (August 28) 19:00, I’ll be singing with my group Ensemble Eborensis at the Church of St John Evangelist, commonly known as Church of the Convent of Lóios, at Évora. This is a concert to help raising funds (food supplies) for an associacion called Pão e Paz (Bread and Peace) that helps less fortunate persons in the city of Évora, cooking about 300 daily meals at the association’s refectory. The cost of entry to the concert will be a good (anything that can be useful for the preparation of the daily meals by this association). (mais…)

João Lourenço Rebelo • Panis angelicus

João Lourenço Rebelo’s motet Panis angelicus is, to me,  one of the most interesting mid-seveenthenth-century works of Portuguese polyphony. The motet is written for seven voices a capella contrary to most of Rebelo’s music, which always features a continuo part, and stands out as a fine example of what was achieved in terms of the prossecution of stile antico writing. A fine recording with a nice video by Portuguese group Capella Duriensis, directed by Jonathan Aeyrst.

Polyphonia 14: Morago: Magnificat Primi Toni

polyphonia-014This is the edition number 14 of the “Polyphonia” series, featuring Portuguese sacred vocal polyphony from the 16th and 17th centuries, edited by MPMP – Movimento Patrimonial pela Música Portuguesa. This number is the fith number devoted to the music of Estêvão Lopes Morago (c.1575-c.1630), composer of Spanish birth who spent all his life in Portugal, studided at the claustra of Évora Cathedral and was mestre de capela at Viseu Cathedral. (mais…)

Concert at Igreja do Senhor Jesus da Pobreza

2014.07.16 Ensemble Eborensis (4)Photo from the concert with Ensemble Eborensis last 16 July at Igreja do Senhor Jesus da Pobreza, in Évora. We performed our programme “Masters from Évora Cathedral: Sacred vocal polypony from the 16th and 17th centuries”, featuring works by Mateus d’Aranda, Manuel Mendes, Estêvão Lopes Morago and Francisco Martins among others.