I found these videos on YouTube of Giovanni Pierluigi da Palestrina’s Missa Emendemus in melius, an imitation mass for which the model was not yet been identified, but it looks like it would be a 4-voice motet. The mass was printed in the 7th book of masses, published in 1594. Palestrina exceeds himself in setting the second Agnus Dei. He expands the texture from four to five voices, adding a second tenor with a carefully controlled cannon between this voice and the bassus. (mais…)
Enigma is a new resource online for finding latin words, that you parcially decyphred. Here’s the description from the website: “Enigma helps scholars to decipher Latin words which are difficult to read in medieval manuscripts. It is sometimes impossible to decipher all the letters in a word, for various reasons (difficult palaeography, unclear writing, damage to the document, etc.) If you type the letters you can read and add wildcards, Enigma will list the possible Latin forms, drawing from its database of more than 400 000 forms.”
In this video Hendrik Vanden Abeele talks about folio 24 recto of the 1481 Ghent antiphonary. In this folio, the responsorium Verbum caro factum est (short). The antiphon ad Magnificat Hodie Christus natus est. Commemoratio S. Stephen (26 December). (mais…)
Sebastián de Vivanco’s (1551-1622) double-choir motet O Rex gloriae. This work comes from his 1610 book of motets, printed in Salamanca. Here it is performed by Capilla Flamenca, dir. Dirk Snellings, and Oltremontano with their sackbutts and cornetts – a great recording, as is the rest of the CD that features many works from this book.
In this third video of the vihuela music series is another example of the numerous intabulations and glosas on works by the famous Renaissance composer Josquin des Prez (c.1450-1521).
This is the “Hosanna” section from the Sanctus of Josquin’s Missa Faysant Regretz, for which are provided two glosas by Luys de Narváez (fl.1526-1549) present in the Quinto libro d’El Delphin de musica, printed in Valladolin in 1538. (mais…)
In this video Hendrik Vanden Abeele talks about folio 23 recto of the 1481 Ghent antiphonary. The folio has the end of tertiam. One can find the “rubric: procession BM, towards claustrum with Verbum caro (with verse and repetition), navi R Descendit, on (re)arrival of choir ant Hodie and other instructions on appropriate hierarchy of commemorations (Marian vs Stephen, John, innocent), and finally again R Verbum, this time without verse. (mais…)
In this video Hendrik Vanden Abeele talks about folio 23 recto of the 1481 Ghent antiphonary. Third, fourth and fifth antiphon of Lauds of Christmas. Antiphon Parvulus amended. Pencil scratching in right margin. New verse of the R Benedictus (some sources have this verse with the R Benedictus, most have V Lapidem quem reprobaverunt, cf. Antiphonaire de Saint-Maur-des-Fossés 1101-1125). (mais…)