João Lourenço Rebelo’s motet Panis angelicus is, to me, one of the most interesting mid-seveenthenth-century works of Portuguese polyphony. The motet is written for seven voices a capella contrary to most of Rebelo’s music, which always features a continuo part, and stands out as a fine example of what was achieved in terms of the prossecution of stile antico writing. A fine recording with a nice video by Portuguese group Capella Duriensis, directed by Jonathan Aeyrst.
This is the edition number 14 of the “Polyphonia” series, featuring Portuguese sacred vocal polyphony from the 16th and 17th centuries, edited by MPMP – Movimento Patrimonial pela Música Portuguesa. This number is the fith number devoted to the music of Estêvão Lopes Morago (c.1575-c.1630), composer of Spanish birth who spent all his life in Portugal, studided at the claustra of Évora Cathedral and was mestre de capela at Viseu Cathedral. (mais…)
Mateus d’Aranda’s (c.1495-1548) motet Adjuva nos Deus, for four voices, was recorded by my group Ensemble Eborensis, in our open rehearsal at Évora Museum, 6 June 2014, with the video produced by associação de ideias.
Mateus d’Aranda was mestre de capela and mestre da claustra at Évora Cathedral from at least 1528 until 1544. During this period at Évora he published two treatises – one on plainchant (1533) and one on mesural chant (1535) – which are thought to be the first music to be printed in Portugal. Although a very important music theoretician, as a composer almost nothing is kwnown of him. The only works that survived are two fragments of a Credo and a motet, which uses the text from the tract for Feria Quarta in Cinerum, for four voices. (mais…)
Next Saturday (July 12), 21:30, I’ll be singing with Coro Polifónico Eborae Musica, directed by Eduardo Martins, at the cloisters of Convento dos Remédios, Évora. The concert is part of the festival “Música nos Claustros”, promoted by Eborae Musica.
We will be singing the programme “Por liames bucólicos e populares”, featuring sixteenth-century madrigals and chansons and music by Estêvão Lopes Morago, Fernando Lopes Graça and Eurico Carrapatoso. (mais…)
Early recording of João Domingos Bomtempo’s two symphonies by Portuguese conductor Álvaro Cassuto. (mais…)
Of the three polychoral works by Portuguese composer Estêvão de Brito (c.1575-1641) present in his Motectorum Liber the motet Vidi Dominum, for eight voices (SATB+SATB) was the only one to be recorded in cd until now. The other two works, also for eight voices, are O Rex gloriae, a motet that I have been writing a lot, and Dum complerentur. The motet has the indication In die Trinitatis et Omnium Sanctorum that is, it was destined to the Sunday after Pentecost and the Feast of All Saints. (mais…)